70-80-90 / Innocent, Insolent, Enticing (2010)
Women in the Turkish cinema… Rarely narrator, mostly subject, generally – in films directed by men – Innocent, Insolent, Enticing, but always two-dimensional: “good” or “bad”? How much real is their goodness or malignity? Why are they never listened to, believed or forgiven but always punished? In t